The latest in the Isabel Dalhousie series was a real joy to read. McCall Smith is back in his best thoughtful form as he chronicles Isabel's efforts to cope with new motherhood, internal politics at the applied ethics journal she edits, and the distance of her niece Kat.
The best thing about this series is the very low-key mystery that is gently incorporated into each book, and I particularly enjoyed the one in here about a suspected forged painting by a Scottish artist.
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